How does geoffrey chaucer use rhyme

Geoffrey Chaucer implants himself into The Canterbury Tales. Chaucer fabricates a romantic and whimsical narrative which centers around Sir Thopas, a knight whose desire is the love of an elf queen. However, the Host interrupts the tale and Chaucer does not complete his story. The tale begins through the use of a prologue. The Narrator states the. In these lines, the overbearing Pandarus gives a woeful Criseyde advice on what to do, with Criseyde giving her reaction immediately after.

With the format of the rhyme royal, Chaucer creates new relationships between individual words, both in a sonic sense as well as a visual one with the page itself. Through this, he presents the possibility of a tainted love, wrought with the pressures from outside forces. In the first stanza. Whereas, the sentence before he asked the reader not to pass judgement or blame upon him for the story they are about to read.

Chaucer passively calls his story a game to show his humorous view on the subject he will be telling. If any man wishes to be "gentil," he must follow the path. What man desireth gentil for to be. Moste folwe his traas, and ale his wittes dresse. Vertu to sue, and vices for to flee :. Because we should give social honor to those with. For unto vertu longeth dignitee ,. And naught the revers, saufly dar I deeme,. Al were he mitre, crowne, or diademe.

This firste stok was ground of rightwisnesse ,. Jesus founded right behavior, being. Trewe of his word, sobre, pitous, and free ,. Clene of his gost, and loved bisinese. Against the vice of slouthe, in honestee ;.

And but his heir love vertu as dide he ,. He is nat gentil, though he riche seeme ,. That work is noted for being the first ballade royal in any language to be crafted in the rhyme royal format. Another view of some critics is that rhyme royal is derived from the French chant royal, which French poets developed from the 13th to the 15th centuries.

The standard form consisted of five stanzas from eight to 16 lines without refrain , each stanza having an identical rhyming pattern. A refrain was added in the 15th century, with the conclusion generally being half the length of the stanza. Dan Harkins.